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Learn how long it takes to download enough of your video so that it can play to the end without pausing to finish downloading. For example, pillarboxing results when you encode NTSC footage to a PAL frame size. To prevent pillarboxing, choose a frame size of the same aspect ratio as the frame aspect ratio of your source footage. When you select the frame size for your encoding settings, consider frame rate, source material, and personal preferences. Select a frame size that fits your data rate and frame aspect ratioĪt a given data rate (connection speed), increasing the frame size decreases video quality. If reducing the frame rate, the best results come from dividing the frame rate by whole numbers. For mobile devices, use the device-specific encoding presets and the device emulator available through Adobe Media Encoder in Premiere Pro. For web delivery, get this detail from your hosting service. However, if you compress high-motion video, reducing the frame rate has a much greater effect on the data rate.īecause video looks much better at native frame rates, leave the frame rate high if your delivery channels and playback platforms allow. For example, if you compress a clip with little motion, cutting the frame rate in half can save you only 20% of the data rate. If you have a higher data rate clip, a lower frame rate can improve playback through limited bandwidth. Make the clips short to keep the download times within acceptable limits for dial‑up users.įrame rate indicates frames per second (fps). Users with fast Internet connections can view the files with little or no delay for loading, but dial‑up users must wait for files to download. When you deliver video over the Internet, produce files at lower data rates.

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Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.View auto-saves and versions of Team Projects.Share and manage changes with collaborators.Get started with collaborative video editing.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.

Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.
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